I couldn't bear the thought of missing the rain.
Because I had plenty of indoor plans for the evening, I made sure I got to be outside when it began to rain.
That put me parked at Fountain Lake with the car windows partially down, the white noise of the fountain competing with the more precise sound of the rain hitting the car roof.
Interestingly enough, I could see the rain hitting the lake, but couldn't hear it over the other sounds.
But after the week's heat, I was more than willing to feel the rain. Getting wet sounded good.
There were no more than a half dozen other cars parked along the lake. Did they get caught there and have to wait it out?
Or had they come there intentionally, like me, to enjoy the rain on the lake?
I'll never know.
From Byrd Park to Selba, I then went to check out yet another new Richmond restaurant, my fourth this week.
Walking in, I was glad I'd arrived before sundown. The beautiful skylights allowed waning sunlight to illuminate the beams and ceiling details.
The bar was bustling and the bartender was being pre-emptive, warning people that others were in front of them. Luckily, it didn't seem like anyone was in a hurry.
Food was everywhere, being passed and on tables for the taking.
Before I knew it, I'd had turkey meatloaf, vegetarian spring rolls with ponzu sauce, smoked salmon, mushroom tart, pork loin, panzanella, crabcake and raspberry truffles (yes, plural).
Twice I was told that everything was an abbreviated version of something on the regular menu, so we were tasting a good variety tonight.
Of course, the hook with Selba is the garden room, a conservatory/botanical garden-like room with extensive plantings of flowers, herbs and greenery.
It sits under extensive windows and looks beautiful. Unfortunately, the air conditioning was still set on heat wave and it was freezing in there.
Usually such gardens are a tad warm and the overwhelming scent of plants and flowers dominate, but tonight the low temperature kept all fragrance at bay.
The garden room would have been perfection except for the presence of two large flat screens (as a guy said to me, "Are they trying to make that beautiful space feel like s sports bar with those screens?"), which detracted from the overall vibe.
Screens aside, it's a truly beautiful and relaxing space while the front bar area is lively and hip.
I ran into a few people I knew and then, unexpectedly, into a local sous chef. I didn't recognize him at first because he was totally out of context.
He, on the other hand, greeted me with, "Hi! You're Karen, right?" Well done.
It was great fun to encounter someone else there alone and chat about the new space and other up and coming newbies.
But after a couple of hours, I had plans to head to Capital Ale House for music.
Two of my favorite local indie bands were playing a free show and that's irresistible on a Saturday night.
Ilad had just started when I arrived and listening to the first few songs, I realized it had been a while since I'd heard them last (they don't play out often).
There was a lot of new music I hadn't heard before, the overall sound was less rock-like and Cameron was doing a lot more singing.
When the audience was given a choice of two songs, only me and one other guy voted our preference.
"This is a democracy," Cam said. "They outnumbered you naysayers." So the two of us got our song.
I've been a big fan of Ilad for years. Gabe Churray's keyboards add a truly unique element to their sound.
I see the project as an outlet from Scott and Cam's other bands, which tend to lean more in the jazz direction. Ilad is more about soul and rocking and they excelled at both tonight.
The best thing for me about going to a Marionette show, besides hearing the band's genre-bending sound, is getting to see my friends in the band.
Marshall solicited my opinion of onstage drinking, Keith kindly insisted on buying me another tequila, Kevin asked why he hadn't seen me at the National lately, and Adam, well, Adam and discussed a whole lot of things.
Like why he's so touchy about 90s music (his age), the hazards of falling in love to Death Cab for Cutie (he did) and how being hot can make a musician play harder (ahem).
When their set finally began, it was with the band making noises of all kinds, blowing plastic flutes, drummer Kevin on guitar and guitarist Adam beating on the back of his guitar.
That cacophony is the prelude to a set of ambitious indie music that hangs together in a way less-experienced bands can only wish for.
Despite the late start, a good part of the crowd hung around, many of them obviously Marionette fans, like me.
But I'm guessing that, unlike me, they didn't stat their evening sitting in the car with the windows down, listening to the glorious sound of rain falling.
There's music and then there's music.
I heard the best kinds tonight, natural and man-made.
Showing posts with label ilad. Show all posts
Showing posts with label ilad. Show all posts
Sunday, July 24, 2011
Sunday, August 29, 2010
Music for a Cause
"Fuck BP," toasted Ilad's lead singer Clifton, summing up tonight's Gulf Leak Benefit at the Camel (or maybe just wanting to do a shot). The four-band bill provided a lot of entertainment for a minimum donation of five dollars, which benefited the Gulf Coast Fund and Tri-State Bird Rescue and Research.
Ophelia's stunning folk rock got things rolling. Their recent FB status, "Ophelia practiced last night. We still got it...or something like it," belies just how amazing their sound is. They've got it alright and anyone who hears it immediately recognizes that magic.
A musician friend who had never heard them before said as much to me tonight. I had come knowing I'd be bowled over again, but he'd been unprepared for the sheer amount of local talent perfectly combined in this one project. Ophelia are not to be missed.
Next up was the evening's organizer, Lydia Ooghe, with two of the four members of her band Lux Vacancy (one had a wedding and one had a fever). For many in the audience, it was their first time hearing her with backing musicians, although I've been lucky enough to hear the group in total already.
As impressive as Lydia's voice and songwriting skills are solo, the music is taken to another level with other musicians rounding out her sound. One friend said even her voice sounded bigger. Tonight she had bass and drums behind her guitar and singing and the crowd was clearly enthralled with the trio. I suppose they'd have been over the moon with the full band in attendance.
After what felt like an endless break between sets, Ilad took the stage and played the best set I'd ever heard them play in several years of being their fan. Most of the songs are off the upcoming album and featured multiple vocalists, an interesting change for them.
My musician friend tried to define their sound by saying that they were 60s psychedelic-influenced but didn't actually sound like 60s or psychedelic music. It's as apt a description as any for their unique sound. Interesting tangents in the music brought to mind prog-rock or even jazz influences, not unlikely given some of the band members' jazz roots.
Caulit Anything was just taking the stage when I headed out. Their loyal fans had been noisily awaiting their set for some time before it actually happened.
Leaving the Camel and crossing Broad Street, a guy stuck his face out of the car window and made a big smooching sound at me. His mother would be so proud.
About as proud as BP should be.
Ophelia's stunning folk rock got things rolling. Their recent FB status, "Ophelia practiced last night. We still got it...or something like it," belies just how amazing their sound is. They've got it alright and anyone who hears it immediately recognizes that magic.
A musician friend who had never heard them before said as much to me tonight. I had come knowing I'd be bowled over again, but he'd been unprepared for the sheer amount of local talent perfectly combined in this one project. Ophelia are not to be missed.
Next up was the evening's organizer, Lydia Ooghe, with two of the four members of her band Lux Vacancy (one had a wedding and one had a fever). For many in the audience, it was their first time hearing her with backing musicians, although I've been lucky enough to hear the group in total already.
As impressive as Lydia's voice and songwriting skills are solo, the music is taken to another level with other musicians rounding out her sound. One friend said even her voice sounded bigger. Tonight she had bass and drums behind her guitar and singing and the crowd was clearly enthralled with the trio. I suppose they'd have been over the moon with the full band in attendance.
After what felt like an endless break between sets, Ilad took the stage and played the best set I'd ever heard them play in several years of being their fan. Most of the songs are off the upcoming album and featured multiple vocalists, an interesting change for them.
My musician friend tried to define their sound by saying that they were 60s psychedelic-influenced but didn't actually sound like 60s or psychedelic music. It's as apt a description as any for their unique sound. Interesting tangents in the music brought to mind prog-rock or even jazz influences, not unlikely given some of the band members' jazz roots.
Caulit Anything was just taking the stage when I headed out. Their loyal fans had been noisily awaiting their set for some time before it actually happened.
Leaving the Camel and crossing Broad Street, a guy stuck his face out of the car window and made a big smooching sound at me. His mother would be so proud.
About as proud as BP should be.
Labels:
gulf leak benefit,
ilad,
lux vacancy,
lydia ooghe,
ophelia,
The Camel
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