Perfect road trip = art + restaurant + music. Friend and I accomplished all that and more after a slow trip up soul-sucking 95 to get to Washington today on what definitely felt like a hot August afternoon.
Stop #1: National Museum of American Art to see "Christo and Jeanne Claude: Remembering the Running Fence." This exhibition included drawings, photographs, models and videos of the 24.5 mile white fabric fence erected in 1976 through Sonoma and Marin counties, CA. It was fascinating to learn about the initial resistance of the ranchers to the art which quickly turned to support, resulting in the landowners taking a stand against the local government and ensuring that the project happened.
Views of the fence from hilltops and the air show a magnificent structure that could not have been defined as anything but art. Most impressive was the way it ascended gradually from the Pacific Ocean, as if rising from a force of nature, but almost as cool was how the ranchers utilized all the components of the art, from fabric to poles, in any way they chose after it was taken down. The audacious concept and execution were positively inspirational.
Stop #2: Marvin, in the U street corridor, a restaurant dedicated to singer Marvin Gaye and the years he was self-exiled in Belgium. The menu features both Belgian dishes and the soul food the native Washingtonian loved (can you say chicken and waffles?). To start, Brendan L'Etoile (the sous chef whom we'd met) sent us a seared fois gras with Richmond strawberries, Armagnac and a sherry vinaigrette gastrique. Words are inadequate but my friend summed it up by saying, "This tastes like a heart attack." Oh, it was that good. We sent him a little something to sip on in gratitude, but we definitely got the better part of that deal.
We followed that unexpected treat with Chorizo and fennel moules frites and agreed that they were, without a doubt, the best mussels either of us have ever had anywhere. Next up was the Nicoise salad with exquisitely rare ahi tuna and anchovies like we haven't tasted in rva. Despite being stuffed to the gills, we went on to a braised Berkshire pork shank with white bean stew. There may have also been a bottle of Vouvray in there somewhere. We could not have eaten another bite if our lives had depended on it.
Stop #3: 9:30 club for Freelance Whales and Shout Out Louds. The club was incredibly hot, almost as if the a/c was not working and the crowd obscenely young and obnoxious (I'm not saying that there's a connection). It was my second time seeing FW and they were just as impressive this time, with their earnest attitudes, unusual instruments and multiple vocalists. For fans of the Arcade Fire or Fanfarlo, they are a band worth investigating. Live, they will make you a fan; just ask my friend who gave her approval halfway into the first song.
The last time the SOL played DC was a 10:00 show on a Sunday night in Fall 2007 and I didn't go because of work the next day; needless to say, I felt like I had been owed for almost three years. Their Swedish pop (with a lead singer who sounds like Robert Smith of the Cure) is fabulously catchy with a bass line that ensures dancing about. With a female backup singer and enough cowbell to satisfy all, their sound grabbed the audience from note one and held them. We got to hear just about all of the new CD, Work, which I've been playing nonstop for over a month now, so it was especially satisfying for me.
It was an awfully hot day for our adventure, but every stop provided a pleasure of a different kind. Exiting the car at a gas station in Lorton, we were met with a delightful gust of wind on our bare legs. Setting the tone for the rest of a most enjoyable day, friend announced, "Sometimes all you need is a good breeze up your skirt."
And on some road trips, you get that and so much more.
Showing posts with label freelance whales. Show all posts
Showing posts with label freelance whales. Show all posts
Monday, May 3, 2010
Saturday, December 12, 2009
Fanfarlo at the Iota Club: Amazing
My dear Fanfarlo, despite having enthusiastically introduced you to no less than five music-loving friends, no one fell hard for you like I did. I don't pretend to understand it, but it's their loss. I became your devoted servant in June when you offered up your phenomenal first album "Reservoir" for $1.00 until July 4th. I downloaded it, couldn't find a bad or weak song and put it on repeat for an embarrassing amount of time. So you can imagine my excitement when I learned only last weekend that you'd be playing the Iota Club tonight.
As for you, Iota, what's with the no advance ticket sales? If I'd driven the two hours to Arlington only to be turned away at the door, I think I would have cried or thrown a bit of a temper tantrum. Instead, I just arrived early, ate (flank steak over mixed greens with pears, candied walnuts and gorgonzola) and drank (Kluge Estate Simply Red) at the cafe and got my hand stamped before the line outside fully formed. The club was small; according to the bartender, it holds, "like a hundred people" although I also heard a guy behind me say he was officially number 184 and then they started turning people away. I was four people from the stage, so I thought its size was perfect.
Openers Freelance Whales with their dreamy pop and multitude of instruments were clearly chosen to complement Fanfarlo, playing, among others, harmonium, glockenspiel and banjo. Their use of multiple vocals, male and female, set the tone for the evening.
And then there was Fanfarlo, in beautiful voice and playing mandolins, clarinets, trumpets and, not to be outdone, glockenspiel. Their songs build rhythmically, symphonically and with enough melancholy for the entire audience to wallow in. And it was an audience who knew most of the words.
And those lyrics! After downloading the CD, I used their songs lyrics for blog post titles for months (among the many: Awake and Barely on My Feet, The Here and Now is Coming Round, Waiting for the Signal, Up on the Roof Again, Can You Hear the Beat, It's How I'll Know- It's Where I'll Go) just because the songs had earwormed themselves into my head and I needed to share. Of course, no one reading my blog would have ever recognized Fanfarlo lyrics in blog titles, except me.
I found a talkative music lover to share the show with. He lives two blocks from the Iota and hadn't even heard of the band before he saw their name on the schedule. He went online to check them out, was completely sold and there he was at the show, amazed that I'd known of them since June.
I had mentioned this show to a couple of people, hoping to find someone to accompany me; no one was interested. At the show tonight, my new music-lover friend agreed that, down the road, when the masses have caught on to Fanfarlo, this early career show for 100+ people will be the envy of all our music geek friends.
Too bad for them. They were asked.
As for you, Iota, what's with the no advance ticket sales? If I'd driven the two hours to Arlington only to be turned away at the door, I think I would have cried or thrown a bit of a temper tantrum. Instead, I just arrived early, ate (flank steak over mixed greens with pears, candied walnuts and gorgonzola) and drank (Kluge Estate Simply Red) at the cafe and got my hand stamped before the line outside fully formed. The club was small; according to the bartender, it holds, "like a hundred people" although I also heard a guy behind me say he was officially number 184 and then they started turning people away. I was four people from the stage, so I thought its size was perfect.
Openers Freelance Whales with their dreamy pop and multitude of instruments were clearly chosen to complement Fanfarlo, playing, among others, harmonium, glockenspiel and banjo. Their use of multiple vocals, male and female, set the tone for the evening.
And then there was Fanfarlo, in beautiful voice and playing mandolins, clarinets, trumpets and, not to be outdone, glockenspiel. Their songs build rhythmically, symphonically and with enough melancholy for the entire audience to wallow in. And it was an audience who knew most of the words.
And those lyrics! After downloading the CD, I used their songs lyrics for blog post titles for months (among the many: Awake and Barely on My Feet, The Here and Now is Coming Round, Waiting for the Signal, Up on the Roof Again, Can You Hear the Beat, It's How I'll Know- It's Where I'll Go) just because the songs had earwormed themselves into my head and I needed to share. Of course, no one reading my blog would have ever recognized Fanfarlo lyrics in blog titles, except me.
I found a talkative music lover to share the show with. He lives two blocks from the Iota and hadn't even heard of the band before he saw their name on the schedule. He went online to check them out, was completely sold and there he was at the show, amazed that I'd known of them since June.
I had mentioned this show to a couple of people, hoping to find someone to accompany me; no one was interested. At the show tonight, my new music-lover friend agreed that, down the road, when the masses have caught on to Fanfarlo, this early career show for 100+ people will be the envy of all our music geek friends.
Too bad for them. They were asked.
Subscribe to:
Posts (Atom)
