Clipped Corners and Green Tambourines

Funny how life teases you.

Stopping at the light at Williamsburg Road and Main Street while coming back from the East End this morning, I spotted two middle-aged women at the base of the steps to Taylors Hill Park, aka Taylors Hell.

Not surprisingly, they were looking up at all those steep steps with trepidation, like they were willing their feet to start the ascent. Good luck, ladies.

Meanwhile, I get home to a message from Mac suggesting we begin our walk in Church Hill today for a change. So we take the 26th Street steps down and get on the Capital Trail, taking it along the Low Line, past Great Shiplock Park and over to the recently refurbished Sugar Pad.  It's there that Mac asks if I want to turn around soon because her plan is to return via Taylors Hell, I mean Hill, and those bloody steps.

Which, incidentally, in 33 years of living in Richmond, I have never climbed. But it's the unlikelihood of having looked at those women contemplating the steps just an hour earlier that makes me realize that nothing's ever truly random.

Mac warns me that once she starts up the steps, she doesn't stop because of how difficult it is to convince her legs to start up again. I don't doubt it. Even the people coming down the steps look pained, although it may be that they climbed up them first.

Fortunately, we're only going in one direction. Although I won't deny that it's a steep climb, midway up it occurred to me that it felt a lot like climbing a lighthouse - which I love for the views - minus the curved route. Just when your legs are saying they'd prefer not to go any higher, you reach another landing and another set of steps.

And it's not like we don't do hill work every time we walk the pipeline walkway, because being at river level means climbing 3/4 of a mile straight uphill - only having to deal with a short set of steps on Capital Hill - in order to return to Broad Street and head west. But inclines are one thing and steps quite another.

And for the record, we didn't so much as pause.

Once we'd conquered the hill, we walked back through Chimborazo Park, alongside Tricycle Gardens to admire the bounty of the produce and past a 19th century drug store built with a "clipped corner," a phrase we learned only because of the historical sign.

Mere diversions to distract us from our complaining leg muscles.

All I can say is, I'm pretty sure we didn't look anywhere near as worried as those two women I'd seen earlier. But then, Mac and I are walking fools pros.

The universe was still playing with me when I showed up at Holmes' digs before going to dinner at Acacia. I knocked, no answer. A neighbor sitting on her porch a few doors down told me they'd just gone out and maybe I should text them. Explaining that I have no cell phone, she offered to call Holmes for me and leave a message.

Fifteen minutes later, still no word, so she insisted on calling him again. Turns out they'd been worried about Crabcake Week crowds at Acacia, so they'd headed over to snag a table. I dutifully got in my car and drove to meet them before they downed the first bottle of Langlois Cremant de Loire Brut Rose.

I barely made it and when I did, the bartender immediately asked if he should ice down a second bottle. With these two? Good idea.

Again eating for the cause - the Alliance for the Chesapeake Bay - tonight's crabcake was a sandwich, notable for the sliced housemade bread and butter pickles that gave the jumbo lump crabcake a sweet crunch that I loved. Given that it came after fried deviled eggs with pimento cheese and a stellar salad loaded with slices of Edwards country ham over Romaine, shaved Parmesan and herbed croutons with a Parmesan peppercorn dressing, it was a miracle I could enjoy it as much as I did.

The inevitable listening party followed at Holmes' man cave, tonight with a focus on 45s dredged up from some deep basement shelf Beloved and I had never been privy to before. What amazed me was what pristine condition they were all in, as if they'd been in a vault since the MTV days.

When Beloved came across the Lemonpipers' bubblegum-sounding "Green Tambourine," a debate about the one hit wonder ensued. I stayed out because frankly, I was a kid in 1967 and knew nothing about the song. But upon hearing it, I felt sure it had to have been a really early use of reverb.

Play [play, play, play, play]...my green tambourine.

Other 45 gems included Todd Rundgren's "Hello, It's Me," Neil Diamond's "Solitary Man" and the Jagger/Bowie collaboration "Dancing in the Streets,"which Beloved swore she'd never heard before. She got most excited when she came across Dan Hartman's "I Can Dream About You," which came from the "Streets of Fire" movie, which I never saw but sure got a lot of airplay.

To Holmes, it resembled nothing so much as a Paul Carrick song, but then he's a big Paul Carrick fan. To me, it just sounded like pure '80s: big hair, shoulder pads and dancing in clubs every weekend.

Given that so much of what we were listening to was straight out of the Carter and Reagan years and Beloved and I always want to know what year each single or album was from, Holmes came up with a dating system on the spot. When I inquired about a 45 of REM's "Fall On Me," he answered with, "Orwell plus two," a system that only works for the book-literate and math-capable.

Which we mostly were at that point. "Why can't it be Friday night?" Beloved wailed at one point as we agonized over how many more records we could play before they ought to go to bed.

Hello, it's me on a Tuesday night. Maybe not a night for dancing in the streets, but not a night to be a solitary man (or woman), either.

I say when a girl climbs Taylors Hell for the first time, she's entitled to stay up as late as she wants. Sore legs be damned.

Striding up That Hill

Out of countless quips that had me doubled over in laughter, surely this was the best line of the weekend: "Roundabout. Dig it!"

Commentary followed by directive, Yes, sir.

Since I last blogged Thursday, I've been to six restaurants - Metzger, Dinamo, Lee's, Adrift, The Walkabout and Willaby's Cafe - not including the one that shall remain nameless because I was reviewing it.

Of note was the brisket at Metzger, our kickoff to soup season at Dinamo (fish soup and matzoh ball soup) with a side of travel planning, a server named Karen at Lee's ("Open since 1939!") who referred to me as "this lovely lady," the mystery man taking notes at Adrift who wouldn't tell us why he'd come to Irvington 29 years ago or what's kept him there so long (and I asked), tequila and dancing at a dimly-lit Australian Outback-themed pub to the classic rock ramblings of Right Turn Clyde and a waterfront seat for what is still one of the best crabcakes on the Northern Neck at Willaby's Cafe.

Our only food miscalculation was in not having a slice of pie after lunch at Lee's, but I'd foolishly followed the lead of the large man in the booth next to us who, when asked about pie, patted his ample girth and declined by saying, "Nah, I think I'll save today's dessert for after dinner."

That's all well and good until an hour later when you want to kick yourself for not just going ahead and scarfing two desserts in one day.

I was supposed to have seen two movies, but "Psycho" in Chimborazo Park never happened because the organizers opted to show "Monsters, Inc." instead. Why, you wonder, especially after I'd donned fleece leggings jeans, two shirts, a sweater, gloves and a jacket had they let us down? Because "Monsters, Inc." had been the scheduled film a week earlier when Hurricane Michael blew through and they'd had to cancel. 

Judging by the crowd of couples, not families, around us, I'm going to go out on a limb and say we weren't the only ones looking forward to Hitchcock, although we were the only ones who packed up our chairs, blankets, wine, bourbon-laced coffee and took the party to Pru's porch a block away instead.

In addition to bow tie-tying lessons, it was there that Beau decided to delve into the origins of When Mr. Wright Met Karen and Pru repeatedly insisted to him, "You broke her!" when she wasn't giving a Power Point presentation about my past and my proclivities ("She would never!"). Meanwhile, the menfolk sipped single malt Scotch and those of us with no circulation mainlined Grillo while availing ourselves of the porch's heat lamps.

Beau and I weren't shy about saying yes to slices of Pru's freshly-made peach clafoutis, even if I am allergic to peaches. Moaning with pleasure as he ate, Beau also insisted it would make an ideal breakfast food when warmed, not that everyone is as dedicated to that meal as he and I are.

They must not wake up hungry every single day like I do.

What Mr. Wright and I did manage to see was "The Old Man and the Gun," purportedly Robert Redford's final acting role and a fine (and true) yarn that highlighted the excellent chemistry between Redford and Sissy Spacek while telling the story of a string of '80s bank robberies perpetrated by what became known as the "Over the Hill Gang."

The film opens with a caveat: "This movie is, also, mostly true." So while it wasn't a documentary, it at least came out of real life and we all know how much that appeals to me.

Exactly once I was mistaken for a Cubs' fan, mainly due to the over-sized sweatshirt I had on for warmth on my morning walk through Irvington. The thing is, I've learned that that logo is also an excellent tool for identifying guys from the south side of Chicago since it seems to get a sure-fire reaction in Virginia. 

At least three or four times, there was protracted discussion of indulgence and specifically, why, at this stage of life, it's perfectly fine to operate in such a mode. In other words, if you're going to mention interest in a piece of art located in a place you've never been, chances are someone is going to think it's a splendid idea to make plans to see it.

A file folder naturally follows and next thing you know, a plan is in place.

The past two weeks since we returned from Athens have been a sort of no man's land, not quite back to pre-travel status quo - witness I only walked once last week - with three road trips this week alone. I keep expecting life to settle down to something approximating normal, except I'm not exactly sure what that is anymore.

Hence the lapse in blogging.

But given how wildly happy I am, I'm not sure that I need to. It's enough to wallow in it, play catch-up with work and reading my stack of Washington Posts in between and look forward to whatever's next. Dig it?

This blog post is, also, mostly true.

Glowing a Golden Haze of Sweat

It's a damn shame when you can't even find your way to a party.

A friend had provided directions, but after multiple trips up and down the street, his house was nowhere to be found.

In my own defense, I don't know southside very well.

So, we abandoned Plan A and moved on to Plan B, which involved barbecue at Alamo.

After ordering a pig and slaw sandwich and a sampler platter (brisket, barbecued chicken, cornbread, cowboy beans and collard greens), we headed up the hill to the park.

There was a lovely breeze blowing, a welcome contrast to the late afternoon sun and heat.

There, from our lofty perch atop Chimborazo, we poured Adega de Pegoes, a Portuguese blend made for barbecue.

It was a meal eaten with sporks and fingers and a couple of dog visitors, no doubt attracted by the mounds of meat.

We took our sticky fingers directly to Strange Matter, where the perennial latecomer greeted me as I got my wristband by making sure I knew he'd arrived first.

Since he's usually the late or later type, I ceded the victory to him. This time.

Super Vacations were already playing and it was barely 8:10 and still light outside.

Such is the nature of an all ages show. Get 'em in early and get 'em out to their parents early.

I'd seen Super Vacations before, so knew what to expect with their psych-surf, albeit a dark and sometimes aggressive sound.

As their energetic set progressed, I began to feel as hot and sweaty as they looked.

And the night was young.

White Laces played next and they continue to sound tighter with every show I hear them.

Their set was essentially a preview of their soon-to-be released album, "Moves," which promises to be a game-changer for them.

Since I first saw them play at Fridays in the Courtyard back in May 2010, I have watched in amazement as they have grown as a band and developed their distinctive sound.

I remember the drummer breaking a drumstick that breezy May night (and bandleader Landis imploring the crowd, "Anyone got a spare drumstick?" No one did) and tonight's set ended with the drummer sending a stick flying out into the crowd.

Afterwards, I grabbed some hot people and headed outside in search of oxygen and a chance to cool my core.

It was hot as hell inside Strange Matter, so you take your breaks where you can.

But I made sure to be back in my spot by the sound booth when Wild Nothing took the stage.

This is a band I was turned on to by a new friend last year.

Listening to his album of bedroom pop, I remember being awed at how one guy had created so much sound all by himself.

And now that he was touring, he'd necessarily had to assemble a band around him to recreate what he'd once done solo.

I wasn't even sure how many musicians it would take to do that.

The answer was five (all very young and earnest looking) and the sound was spot-on.

Jack, who was once all of Wild Nothing, acknowledged the show as like a homecoming, since he went to college at Tech and recorded the CD that won my heart there.

Did I mention it was called "Gemini," also this fan's astrological sign?

In fact, his parents were at the show along with other relatives, he said.

From the first guitar strains that proclaimed "I love the '80s" to the final sweaty song, I was thrilled to be as impressed with the sound live as I had been with the record.

My date, who knew nothing of the band, turned to me four songs in and said, "Well, he's certainly done his Cure homework."

And for those of us who loved the Cure the first time around, it was a real pleasure to hear it being reinterpreted by a younger generation.

Another WRIR DJ made his opinion known by pantomiming "83" to indicate the year of the sound we were hearing.

Frankly, I don't care how derivative a band is when they're delivering catchy choruses, longing dreamgaze and jangly guitars with an unabashed nod to their predecessors.

The crowd seemed to agree with me no matter the age, dancing in place and sometimes even singing along to lyrics no doubt learned in their own bedrooms.

By the final sweaty song (the one with the riff reminiscent of Railway Children's "Every Beat of the Heart"), Jack looked justifiably well pleased with himself and his band.

"You could start a Slip 'n Slide with my body," he joked.

By that point, every body in the room had that potential because all the oxygen in the room was long gone and sweat was running down everyone's neck, face and any other exposed body parts.

Perhaps my date put it best.

"You should call your post "Sweating to the Oldies," he cracked.

Considering my penchant for twenty somethings interpreting music I liked the first time around, I'd rather call it "When Bedroom Pop Goes Live."

No, no. Check that.

"When Young Man's Music Made Me Hot." That's it.